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Newsletter 16 - Abril 2017

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EXPOSIÇÕES E EVENTOS


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Un Bijou Qui Voyage
@ Escola Artística António Arroio | Membro PIN Escola
A exposição estará patente até 19 de Maio de 2017

"A exposição apresenta a terceira coleção de joias realizadas por alunos de cinco escolas parceiras que desenvolveram o projeto de intercâmbio europeu no âmbito do programa Erasmus+ 2014-2017.

As joias viajantes apresentam-se unidas numa tipologia variada, numa amálgama de conceitos, formas, volumes, materiais, cores, texturas, escalas, pesos e levezas, preciosidades e futilidades. Convocam Manifestos do tempo no futuro e, tal como um corpo privado tornado público em viagem, transportam no presente os vestígios e relíquias do passado, os desejos e os compromissos e ideais do futuro".
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Exposição "O mais profundo é a pele"
A exposição estará patente até 25 de Junho de 2017

Participa Olga Noronha | Membro PIN
@ Palácio Pombal | MUDE Fora de Portas

"A exposição nasce da coleção de pele humana tatuada, datada de 1910-40, tutelada pelo Instituto de Medicina Legal e Ciências Forenses (IMLCF). Do ponto de vista expositivo pretende efetuar-se uma abordagem s artística e sociológica. 
Ao contrário de coleções congéneres, de outros países, o espólio do IML está consolidada por uma abundante documentação (desenhos e retrato sociocultural de cada individuo), a incluir na exposição.
Esta exposição recupera os ambientes vividos nos bairros típicos de Lisboa no limiar do século XX onde se entrecruzam a marginalidade, a prostituição e o fado; contribuindo, assim, para aprofundar o conhecimento sobre a cidade. 
Ao mesmo tempo, indaga sobre as eventuais características de desenho da tatuagem portuguesa".

Curadoria
Carlos Branco (INMLCF)
Catarina Pombo Nabais (CFCUL)
Parceria com Instituto Nacional de Medicina Legal e Ciências Forenses (INMLCF) e Centro de Filosofia das Ciências da Universidade de Lisboa (CFCUL)

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CONFERÊNCIAS


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20:20 Visions Conference
Data limite: 7 de Julho de 2017

"By examining its past, celebrating present achievements and looking forward, we can then begin to explore what the future of contemporary jewellery might hold.
One of our themes is to examine making in the extraordinary current political climate: does contemporary jewellery have something to say? How have makers reacted, adapted and sought to engage with recent massive shifts and changes in society?

Spread over three days the conference will offer an opportunity for discussion, engagement and debate across a broad spectrum of the contemporary jewellery discipline, which will coincide with our major touring exhibition of the same title. The 20:20 Visions exhibition shows the best of the new jewellery and conveys progression in design and techniques over the last twenty years. Together both conference and exhibition celebrate the 20th anniversary of the Association for Contemporary Jewellery".

Confirmed speakers include:
Ezra Satok-Wolman (CAN), Boris Bally (USA), Melissa Cameron (USA), Prof. Norman Cherry (UK), Sian Hindle (UK), Maria Hanson (UK), Elizabeth Shaw (AUS), Prof. Christoph Zellweger (SWISS)

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CONCURSOS E RESIDÊNCIAS ARTÍSTICAS


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A Artéria - Humanizing Architecture, responsável pela criação da Rede de Carpintarias de Lisboa está a preparar uma nova plataforma digital, a Rede de Artes e Ofícios de Lisboa, uma rede mais alargada e com áreas de atuação mais diversificadas. 

Pretende-se aqui realizar um mapeamento das artes e ofícios na área de Lisboa, divulgá-los através da plataforma — de modo a que tanto os profissionais como o público em geral possa ter acesso — e disponibilizar formação. 

A criação desta rede fará uma apresentação das oficinas/ateliês, dando protagonismo aos seus espaços de trabalho e à sua inserção nos bairros. 

As Artes e Ofícios são um recurso económico e cultural de enorme valor estratégico para Lisboa. Assim, a plataforma pretende potenciar a encomenda de serviços das oficinas, gerar a partilha de conhecimento serviços entre oficinas e assegurar a continuidade da arte de um "saber-fazer" tradicional.

Rede de Artes e Ofícios de Lisboa divulgará as oficinas da cidade de Lisboa para que o cidadão utilize estes serviços, num espaço que promove o cruzamento de práticas, de forma a estimular trabalhos de colaboração entre profissionais. 

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Call + Exhibition Jewelry VDW Selection 2017
Data limite: 18 de Maio de 2017

"The competition is promoted by Venice Design Week, Contemporary Jewelry Association Associazione Gioiello Contemporaneo (AGC), Ca’ Pisani Design Hotel.
The 2017 topic is: Talking about water: fluidity, movement, transparency, life".

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So Fresh + So Clean Call for Entry: 2017
Data limite: 5 de Junho de 2017

Fresh: Work that’s happening now, challenging how we define the field of metalsmithing and jewelry

Clean: Objectively looking at where our studio practices intersect with environmental concerns and human health.

"This exhibition has two goals: we are searching for the most innovative jewelry and metalsmithing work made within the past 2 years, while creating a platform for an honest dialogue about the what it means to be an Ethical Metalsmith. Students who apply to the exhibition are eligible for the Annual Emerging Artist Award. This award will be given to a student who embraces the greater mission of the Ethical Metalsmiths organization and shows exceptional drive or innovative thinking in their approach to the field of jewelry and metalsmithing in their practice.

We understand a completely sustainable practice is a farfetched notion.  However, becoming aware of the ways our practices impact environmental and human health is the first step in the right direction and adds an important layer to the creative decision making of artists. Becoming a member of Ethical Metalsmiths is one small step that places you within this essential dialogue.

Through the lens of sustainability – what it means to “do the right thing” – the Ethical Metalsmith Student Committee challenges you to investigate your studio, processes, methods, and personal goals. Consider the small everyday actions that may be overlooked (like riding your bike to the studio, or making reusable studio rags from old clothes). What are some of the things happening in your shared studio that regard environmental or personal health? What are some considerations for setting up your own studio? What are some concerns you have regarding metalsmithing processes that you would like to see further researched, or changed? Are there processes or materials you avoid for ethical reasons? Tell us about it, ask questions, and then show us the work you are making!".
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ArtEZ Institute of the Arts
Data limite: 10 de Junho de 2017

"Design in Residence (DIR) program is an initiative by the ArtEZ department Product Design with the aim to bring practice and education together to explore the wide design territories. The DIR program, launched in 2016, invites studio practice into the department and with their team and lecturers they aim to provide a professional workspace for practitioners within the academy setting.

The DIR program allows the students to explore the diverse stages and character of work processes in design and development in new ways. Practitioners are provided with an opportunity to discuss their work with students and tutors, teach on a specific project, and participate in or organise talks, events and/or exhibitions".
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Artists in residence Villa-R
Data limite: 20 de Junho de 2017

"Villa R is a new private residency for artists. It is the first international point of reference for contemporary art in the city of Messina, Sicily. It was designed in 1990 by the two owners, Iolanda Vacalebre and Nicola Rustica, who used the villa for artistic and musical productions for many years. Since April 2013, the owners decided to offer most of the spaces of the villa for intercultural and interdisciplinary exchange with professionals (both foreign and Italian). These activities aim especially to the creation of new projects and artworks in a stimulating environment, in contact with other artists and with nature. The residence has wide space for artistic production of any size and media".
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New call for creators of contemporary jewelry and designers of objects.
Data limite: 20 de Junho de 2017

ICKX Contemporary Jewelry - New CALL
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COMINELLI AWARDS SPECIAL 2017
Data limite: 30 de Junho de 2017

Theme: A jewel of a Lake 

"The Lake Garda has always been the object of artistic contemplation. Since antiquity it left a striking impression on some of the most important figures of the cultural world: from Catullo to Dante, from Goethe to Gabriele D'Annunzio, from Klimt to Maria Callas. 
Its intense and bright colors, its wide horizon delimited by the peaks of the Alpine mountains, its clear light and the uniqueness of its natural flora, are all distinctive traits which can be appreciated through a multisensorial experience. 
Drawing inspiration from the verses of Virgil or from other famous personalities who were fascinated by the Lake Garda, the authors are asked to design a piece of jewelry which resembles the beauty of this territory". 

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The Journal of Jewellery Research
Call for papers

Data limite: 30 de Junho de 2017

"We welcome papers that investigate jewellery design, theory and the contexts in which it operates. We support jewellery related research into materials, techniques, methodologies, social practice, concepts and aesthetics".
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ITAMI International Jewellery Exhibition 2017
Theme "Jewellery"

Data limite: 28 de Julho de 2017

"Our competition marks its 10th time under the theme of “Jewellery” this year. The existence of jewellery is strongly connected to human body and soul. Jewellery continues to be loved, giving us joy while exposing the subtle differences of various cultures and climates of the time. The number of application continues to grow as our competition further takes place and it is our pleasure to recognize the broader audience of ITAMI International Jewellery Exhibition. We look forward to discovering the works of artists that render a touch of gentleness for the people of today".
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BKV-PRIZE 2018
For young applied arts

Data limite: 28 de Julho de 2017

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SÍM Residency
Data limite: 31 de Julho de 2017.

"The main objective of the SIM Residency is to function as a direct link between visual artists, both nationally and internationally by bringing them together from different parts of the world to work in close company with each other. To be a venue for international artists to take part in the Icelandic art scene, thereby creating a broader context within which local and international artists can experience their own work. The SIM Residency seeks to promote an environment of reflection, study and play by providing artists with a working environment that supports the artistic process".
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Call for Papers for Klimt02 Forum section
Data limite: 7 de Setembro de 2017.

"Klimt02 is looking for contributors to submit texts for review and consideration for publication at section Forum to communicate them world wide.

Klimt02 Forum is a space for opinion, debate and exchange. In it you can access articles, interviews and conferences about art jewellery written by persons interested on reflecting in the world of art, jewellery and crafts. 

Would you like to add a story of your own? Any interesting interview to share? You are invited to publish your opinions and ideas at Klimt02. Whether you are a maker, writer, curator, student, teacher, collector, historian... we welcome your contributions".

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WALK & TALK
FOUR-DAY RESIDENCIES – ANOTHER DISCURSIVE EXPERIENCE

Data limite: o mais tardar 2 meses antes da data de início da residência.

"A special characteristic of Arc is the wonderful landscape that surrounds it. As walking can be conducive to the discursive process, we want to regularly invite two persons (artists or other practitioners) for shorter residencies, to take long walks in the beautiful green surroundings together. The idea is to give people time to enter into a longer dialogue in another rhythm and collaborative mode".

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Residencias R.A.R.O
Data limite: Durante todo o ano.

"R.A.R.O. arises from an interest in creating opportunities for dissemination, exchange and creation where artists find a common place for production and artistic development.

This type of organization of itinerant residencies manages to generate an original and unique artistic space and creates opportunities for artists to carry out their projects".
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STEP Beyond Travel Grant
The application deadline for Step Beyond travel grants is 60 days prior departure.

"Through this grants scheme, we fund emerging artists and cultural workers to explore and to exchange views, skills and inspiration. We have been supporting all kinds of cross-border creativity - including music, visual art, theatre, dance, film, documentary, multimedia, design, photography, fashion and cultural capacity building.
STEP Beyond Travel Grants are designed for up-and-coming artists and cultural workers to travel between EU and EFTA (European Free Trade Association), and countries bordering the EU.
Priority is given to individuals who are under 35 years old and/or who are in the first 10 years of their career. The STEP Beyond funding scheme emerged from previous mobility grant programmes such as Erasmus and APEXchanges".

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WORKSHOPS

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Geological experiences - stone, concept and material

Com Patricia Domingues | Membro PIN
28 de Agosto a 1 de Setembro - 5 dias (30 horas)
@ The International Summer Academy of Gemstones & Jewellery at Campus Idar-Oberstein

"The landscape that we thoughtfully look at and build our dreams and expectations on, is mainly formed by stones. They are the essence of the natural world, and make up the foundation of all continents and mountains. But in a world ruled by human hands, stones have also been one of the main materials for the creation of cities, houses and monuments as well as tools for the making of objects and jewellery. 

Idar-Oberstein, a place well-known for stoneworking, is replete with ateliers that are still working and exploring this millennium’s stone carving and faceting techniques. Surrounded by various mines and an unspeakably stunning landscape, Idar-Oberstein is per se a geological wonder and a place where different times and realities collide, the geological and the human.

Within this context “Geological experiences - stone, concept and material” intends to explore the artistic processes and different approaches regarding the relationship between man, stone and the landscape".

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NOTÍCIAS 

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In Conversation with Cristina Filipe | PIN Member
Susan Beech Mid-Career Artist Grant Winner
By Katja Toporski @ Art Jewelry Forum

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LIVROS

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Arnoldsche Art Publishers 
1990S JEWELLERY
The Hans Schullin Collection
Sophie Beer


* Disponível a 10 de maio de 2017 *

Initiated by Hans Schullin and directed by Fritz Maierhofer – both of them driven by the same passion for artistic jewellery – the ‘Design Workshop Schmuck’ took place in Graz between 1991 and 1998. Based on the idea of creating an additional alternative to the existing training in Austria, internationally renowned guest professors, such as David Watkins, Giampaolo Babetto and Gijs Bakker, were invited to develop projects with the jewellery artists and goldsmiths in attendance. More than sixty jewellery pieces by students and teachers can be found in this exceptional collection, which was exhibited for the first time in the Museum im Palais in Graz in 2012. The catalogue includes all details about the collection, interviews and artists’ CVs as well as a text on contemporary jewellery from the 1990s".

*Condições especiais para Membros PIN*
Informações e reservas:
carlossilva@pin.pt
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Arnoldsche Art Publishers 
OTTO KÜNZLI. THE BOOK
Florian Hufnagl | Die Neue Sammlung - The International Design Museum Munich (eds.)

"The Swiss Otto Künzli (born in 1948) revolutionised modern jewellery design and is regarded as ‘one of the most intelligent and at the same time most critical artists in the world of jewelry’ (Ralph Turner: The New Jewelry, 1985/1994).

Over the course of his involvement with jewellery, spanning around 45 years, Otto Künzli achieved a unique status as an artist and pioneer, and also as an author and teacher, with widespread international influence. Renowned artists such as Karen Pontoppidan (Konstfack, Stockholm), Karl Fritsch (Royal Melbourne Institute of Technology), David Bielander and Lisa Walker are amongst the graduates of the jewellery class at the Academy of Fine Arts in Munich, which Künzli has been directing since 1991 as successor to Hermann Jünger.

This publication presents his complete multifaceted oeuvre to a wide readership for the first time. The monograph comprises not only his jewellery, but also multidisciplinary conceptual works in the fields of photography and installations. It is at the same time a review of, a current definition of and a future perspective on his work. The striking and unusual graphic design was created by Frederik Linke, as was the previous successful title "The Fat Booty of Madness."

Otto Künzli’s works are based on complex reflections and the visual power of the imagination. This has resulted in works characterised by minimalistic clarity and impressive technical perfection, full of wit and sensual intensity.

With contributions by Jacqueline Burckhardt | Walter Grasskamp | Florian Hufnagl | Ellen Maurer Zilioli | Pravu Mazumdar | Chantal Prod’Hom and Carole Guinard | Akio Seki | Otto Künzli".

*Condições especiais para Membros PIN*
Informações e reservas:
carlossilva@pin.pt
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Arnoldsche Art Publishers 
ON COLLECTING
Documents on Contemporary Crafts No. 4 | André Gali (ed.) | Norwegian Crafts

"Art collectors and collections make up an important part of the contemporary arts and crafts infrastructure. Not only do museums and art collectors improve an artist’s financial situation by buying their work; just as important is the symbolic meaning of the collection. To be included in the ‘right’ collection or museum can give the artist a high level of recognition; at the same time the purchase secures the work a place in a system whose aim is to preserve the work for the future. Collecting is a selection process which has economic, social, political and art historical implications and consequences for the artist, the art scene and the public.

In On Collecting the authors look at collecting from public, private and personal perspectives to shed light on some of the structures that are responsible for how artworks become ‘collectable’ and thus available to the public in museums and public spaces".

*Condições especiais para Membros PIN*
Informações e reservas:
carlossilva@pin.pt
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Arnoldsche Art Publishers 
Tanel Veenre
HANDFUL – KÄEULATUSES
Jewellery Diary 2009–2015

‘Experiences must be translated into an intelligible form. That’s why I create art – mainly jewellery. And that’s why I communicate … mainly with words. This book offers no explanations or accompanying texts for the artwork; the pictures and words have ended up together by a strange coincidence that ties them together in my personality.’
(Tanel Veenre)


"The work of the Estonian jewellery artist Tanel Veenre comes alive in its fullest extent in the current artist’s book. Between dramatic objects and mellow-sensual jewellery unfold thoughts, ideas and questions, which are framed by sequences of pictures showing the sources of his inspiration: photographs of Nordic landscapes, of best friends, of church vaults, erotic forms and the workshop in which the fantastical and poetic pieces are created by his very hand. With the ‘portrait photos’ of the hands of sixty-four particularly esteemed artist colleagues, his own picture series is dedicated to hands, the most valuable tool of a jewellery artist.

With this ‘artist’s diary’, Tanel Veenre gives an insight into his world – intimate and sincere thoughts on the ideas and concepts behind his creativity. As a rather abstract thinker, these concentrate less on the detail than the big picture behind it: Why and how is man able to create art? Where does the beginning, where does the end of art lie? Where does nothing end and where does everything begin?".


*Condições especiais para Membros PIN*
Informações e reservas:
carlossilva@pin.pt

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Copyright © 2017 - PIN - Associação Portuguesa de Joalharia Contemporânea, All rights reserved.

Contacte-nos:
pin@pin.pt

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 Apartado 27011, Praça do Município, 1144-003 Lisboa, PORTUGAL

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